Friday, July 3, 2015

If done the wrong way, ear stretching can give you unbearable pain, and can even kill your ears, (yes, literally!). Ear stretching is the latest trend, in which, one punctures and stretches one's ear lobes, to an extreme level, wears a stylish carved jewelry (as plugs and tunnels) in the stretched part. Some traditionalists believe that it is irksome or disturbing, but gauged ears look pretty appealing and attractive. However, this body art should be done very carefully. If you are going to stretch your ear lobes for the first time, here are a few Dos and Don'ts to follow. But before we proceed to that, let us have a look at some consideration, before you step into a professional body art workshop -


There's no looking back! When you get your earlobes stretched, remember that it is a permanent fix, your old natural ears would never return. It is also true with piercing. Cosmetic surgery is the only possible repair for stretched ears. So, before you go for ear stretching, you should make up your mind, and decide, if you really want this or not.


Consult a renowned body art center - If some accident occurs, because of the mishandling or the lack of experience of the piercer, you wouldn't be able to get your old natural ears back. To avoid such (and any) mishaps, visiting a professional piercer is always advisable.

Dos and Don'ts


Being a newcomer to the ear stretching fashion, there must be running around some rumors, in your mind, which you heard from someone, or one of the friends or relatives of someone. Well, if you have decided to stretch your earlobes, you should approach with a positive frame of mind. Here are some clear suggestions or Dos and Don'ts -


Suggested Material - Surgical stainless steel is considered as the best material for ear plugs or body art jewelries, for the first timers. After the stretching is healed, you can wear charms made up of any material.
Recommended Size - 'Slow and steady wins the race' is one of the most heard stories of all time. When stretching your ears for the first time, you can use the tapers starting from 14G to 18G, based on the structuring of your ears and lobes.

Reducing the Pain - There are a number of solutions - like composition of Karanja oil and Jojoba Oil - which you can apply while inserting the drill through your lobes. These are naturally medicated oils that lower the pain during the procedure, and help healing the skin more quickly. You should never use any water base solution while stretching your earlobes.

Bleeding - If it bleeds, you should stop, and wait for the injury to recover completely. Ideally, there are very less chances of bleeding, but when it happens, you should discontinue it for a while.

Manufacturers and seller of wholesale ear gauges are aware of the hazards of ear stretching for first time and hence use non-toxic material for making such jewelry.

Article Source: http://EzineArticles.com/?expert=Luke_Harper

Thursday, July 2, 2015

It's the Holy Spirit's job to convict, God's job to judge and my job to love.

We Love As He Loves Us

THREE divinely appointed roles. It makes life much simpler for a Christian to be faithful, to both their faith and to all their relationships, when they can hold this pithy sixteen-word statement in the tensions of their consciousness.


THE HOLY SPIRIT'S ROLE - CONVICT!


It is such a comfort to know, that, from an evangelistic perspective, it's the Holy Spirit that must move in a person's heart. We can only put before them the teaching. We can only teach the Word of the Scriptures. We can only model the Scriptures in our lives. Then, and only then, in the sense of good timing, can the Holy Spirit quicken a person to a decision only they can make. Many people who have apparently 'come to faith' never actually progress in the faith. Jesus talks about the four types of seed in Mark 4:1-20. Only one seed of those four that Jesus alluded to - those who have been convicted by the Holy Spirit - will "hear the word, accept it, and produce a crop - thirty, sixty or even a hundred times what was sown." The Holy Spirit will not force a person beyond their will - that's love!


GOD'S ROLE - JUDGE!

How are we to know with any definite certainty in this life what the Judgments of God will look like - their effect - and who they'll affect, and how they will affect any of us? We really have no idea other than what the Bible tells us. We can trust the Bible as the Word of God, but the Bible is only so instructive. Why would we then cavort with potential lies? It's the devil's playground to preach 'turn or burn' without love. Shudder to think that we, in preaching such a venomous and vexatious message, might be the ones who say, "Lord, Lord," only for him to say, "I never knew you. Away from me, you evildoers!" (See Matthew 7:21-23) It is a divine mystery that the Judgments of God are couched intrinsically in love. That, they are! Such knowledge is only ours by faith. Our role, personally, as far as God's Judgment is concerned, is to receive the truth: how can we expect to be saved if we do not wish to be saved?

ANY HUMAN BEING'S ROLE - LOVE!

Isn't life simpler when we know we only have to love? Not exactly. To love is hard work, but only to the extent that we must pour contempt on our pride continually or act diligently when we are tempted by fear or laziness. And then, when we genuinely have the Holy Spirit, we find it intuitive to love - we are convicted every time (every day!) we stray from the will of God. Repentance becomes our byword and love is the response of our repentance. Simply, we love people with the love God loves us with.
***

Accepting our role as a human being is none other than simply to love. Love's role is none other than to simply accept all other human beings.

We allow others to settle matters of conscience according to their own devices. And yet, we can still teach the matters of God with consciences free because we are tied only to his Word.
God is love and that is our invitation; to excel in our love, like Jesus.
© 2015 S.tamim

tamim is a Baptist pastor who holds Degrees in Science, Divinity, and Counselling. Steve writes at:
 http://entertainmentmedia24.blogspot.com/
http://entertainmentmedia24.blogspothttp://entertainmentmedia24.blogspot.com/.com/
Article Source: http://EzineArticles.com/?expert=Steve_Wickham


Love Is the Most Important CurrencyFebruary is the month when everyone focuses on love and expressing it to those you love. Who can escape thinking about it with all the red or pink hearts exploding into view in all retail establishments, or the plush cuddly animals, chocolate covered delicacies or bouquets of roses lavishly displayed on every corner. It's good to be reminded to express our love to those we do love, but love isn't something that comes once a year due to the major advertising campaigns urging you to purchase hearts, flowers or chocolates for someone special.


Currency, according to Webster, is a medium of exchange passed from hand to hand. Passing anything from hand to hand involves a flow of energetic exchange. Love and any expression of love is a flow of energy just as any type of currency exchange involves the flow of energy.


We are the sum of our actions. No matter what beautiful words you speak, it is your behavior (actions/energy) that speaks the loudest and tell what you truly are. Love isn't something that you give here and there or feel once in a while; it is to be your way of life. There are only two emotional energetic vibrations in this world: ones based in love and those based in fear. Fear vibrations are energetic pathways of negativity and always produce negative results while love is a positive energetic pathway that yields positive outcomes.


I love the phrase "If you give love you gather love." Nothing is truer than this concept, that what you hand out energetically is what is handed back to you - currency. To me it's a no brainer that this is the only way to live - from a core of love. And by the way, love is your essence, what you were created from; it's who you really are and have been from your birth and before! So doesn't it make sense to live in a space of love all the time, not just on February 14th?


However, it is wonderful to take a moment to acknowledge our love for those we love, but making it a habit of living through love shares love with everyone whom we come into daily contact as an everyday practice. Granted, there are different levels of love for different people in our lives, but if the currency you hand out is always love, then that is what is handed back to you. Again, it seems to be a no brainer that you would always want to be receiving loving and positive experiences, therefore making it necessary to give love out first. Everyone and everything in the universe is energetically connected in every way, so what we feel and do is carried throughout the universe and is always what in the end, comes right back at us.


You've undoubtedly heard the concept of Pay-It-Forward. A movie was even made using this title and the concept of sharing an act of kindness which in turn leads to another act of kindness is the plot of this movie. Paying it forward, or handing out a currency, creates an amazing ripple effect that creates positive expressions if it begins with love.


What are some other expressions of love from which we can lay a foundation of love on which to build our life? Acceptance of every person as a masterpiece and worthy of receiving love is one expression. Allowing another individual to be who they are even if we don't agree with what they choose, is acceptance. Appreciating others and seeing their value even if they are mean and hurtful is an expression of love. Everyone has worthiness although with some individuals it may be difficult to see! But in appreciating even one thing about them it allows you to rise above their negative energy, thus allowing you to shine from a space of love.

Gratitude for life itself and everyone who crosses your path is a most empowering expression of love. In fact, it is the most powerful tool for living an empowered life. Forgiving another who has hurt you or caused you pain expresses love in a most noble way, for in forgiving them you free yourself from their hold over you and allow your energy to be focused in a positive place that better serves you. Lack of forgiveness keeps you small and bound up as a victim... not where most individuals want to remain if they think about it. Healing can only take place with love, so healing any relationship issue always requires forgiveness.

Understanding, compassion and respecting others raises you up into the higher vibration where love abides. Humility, strength and courage are also found in the flow of high vibrations. There are many other expressions of love - anything positive that helps others and produces positive outcomes. Even great health requires love to heal since all physical conditions first began as emotional, mental and/or spiritual blocks of negativity.

Do you love yourself and who you are right now? This is where you must start, for it is impossible to love anyone else without first loving yourself - you cannot give what you do not have! You may want to change some things about yourself, but first you must accept and love you just as you are. Once you've done that, you are in a position for transformation if you so desire.

So as we focus on love this month, ponder the things I've shared, then commit to creating a life filled with love all the time by placing love at the core of everything you do and say - being the love. That's what makes life wonderful and extraordinary, and what makes you a magnet for attracting love and the good things is brings to you!

Everyone in this world wants love in their life even if they say otherwise. In fact, love is one of the needs we have for life - to love and be loved... we cannot survive without it. But often the world operates from fear and love cannot be seen. Fear expresses as anger, hurt, pain, jealousy, revenge, retaliation, judgment, etc. Love however, expresses as acceptance, appreciation, compassion, humility, understanding, caring, etc. Which do you want in your life? If you give love, you gather love!

Article Source: http://EzineArticles.com/?expert=Carolyn_Porter,_D.Div.

5 Common Character Archetypes in CartoonsWhether we're looking at Shakespeare or SpongeBob, there are common character archetypes that appear in stories across time and cultures. Archetypes are characterized or classified by the role they serve or their purpose in a story. The classical archetypes of a good story include the protagonist and antagonist, the mentor, the sidekick, and the love interest. Let's take a closer look at these five archetypes and how animation studios bring them to life.


The Protagonist


This protagonist is the main character in a story, show or movie. In many cases, this character turns out to be the hero. It is usually easy to identify the protagonist because the storyline revolves around them and their lives, problems and internal conflicts. Roughly, in Greek, the word protagonist translates to "player of the first part" or "chief actor."


Why is a protagonist so important? They aren't always the heroes; sometimes they are just the focal point in a show or even in an advertisement. A protagonist is typically on the "good side," and follows a moral compass that many deem good. The protagonist is likely to change throughout a story and that action expresses the theme of a story an animation studio is trying to put out. A protagonist serves as a doorway into an emotional story or an emotional heart. They tend to draw a viewer or reader into the story. The best protagonists are characters that people can relate to. As a viewer, you may have shared hopes, fears or goals with a protagonist.


When we look to animation and some of the most well known protagonists we see characters like Buzz and Woody or Superman. Though heroes in our eyes, protagonists are far from perfect. They hold some type of flaw, whether it be internal or within their environment. The conflict they face then causes them to fight back or fall back from the big obstacle, and the way they choose to react to a situation is how we choose to interpret the character's qualities.


The Antagonist


Classical forms of storytelling feature a main character known as the protagonist, which we discussed. This character will typically enter the story first. Then enters the antagonist. This character is typically depicted as the "bad guy" or the "villain." Antagonists are without a doubt entertaining and bring a moral conflict to light, which as a result puts our hero at a fork in a moral road.


These characters serve to teach viewers wrong from right. These characters are an essential component to any story for many reasons. They are the primary opposition for a protagonist. They elicit the protagonist in the story to change their perception and try to live in a less flawed world, no matter who or what they must hurt to attain it.


When an antagonist or a villain in any story is personifying a central conflict, it brings a different element to a story that will benefit it. The pressure an antagonist puts on the protagonist eventually brings forth inner conflicts. These characters typically test their counterpart's moral compass and commitment to being morally just.

The Sidekick

The role of a sidekick was once referred to as the "close companion." This role dates back more than a century. Specifically, we have our first literary glimpse at a sidekick in The Epic of Gilgamesh, which features a protagonist-sidekick. The main character seeks not only friendship, but also advice from Enkidu. This character has defined many of the consistent and quality characteristics we seek in a great sidekick in regards to a production of a film, book or television series and more.

Gilgamesh was unarguably the main character. However, the epic reveals that the secondary character, Enkidu, played a smaller but still meaningful role in the story. When Enkidu is killed, Gilgamesh responds aggressively because he has grown close to his friend and confidant. The depth of the reaction Gilgamesh has not only adds depth to him as a character, but also lets the audience know how significant the bond was between the protagonist and sidekick.

Another common trope of the sidekick is to infuse the story with humor. This is especially true of animated characters. Where would Bugs Bunny be without Daffy Duck to set him off? Some may see Daffy as more of an antagonist, but he's not really out to get Bugs. The two characters play off of each other and add lots of laughs along the way.

Other great sidekicks in time include Dr. Watson and Sancho Panza. These sidekicks perform different roles and functions in support of the main character they assist throughout a storyline. They serve a grander purpose than simply being a companion or assistant. They humanize the characteristics of a protagonist. They are also the character that moves the story.

The Mentor

The mentor is usually a great help for the protagonist in any story. They guard or protect them during a big quest or journey that involves both physically harmful obstacles as well as emotionally harmful obstacles. They can take many forms. Typically we imagine a grey-haired and aged man, but sometimes the mentor can take the most unsuspecting form.


These characters usually provide support and guide their "student" toward the right path. Mentors are known for having high morals and standards that can often challenge the student they are looking after. They always find a way to inspire them and push them to aspire for something good.

The Love Interest

This character might often be over-looked, but also plays a very important role in many stories. They are the person with whom the main character falls in love with. They serve, as a catalyst in the journey a protagonist must go through. Depending on the ultimate goal of the protagonist, the person who is their love interest can be of great assistance and motivation, much like a mentor can be.

So the next time you're watching your favorite cartoons, pay close attention to more than the character design quality. Look into the roles you believe each character plays and their significant contribution to a story line. You'll find it is hard to have a compelling story without these staple archetypes.

Article Source: http://EzineArticles.com/?expert=Stephanie_Delota
 Television Council

On February 8, 2015, Family Guy released an episode entitled "Quagmire's Mom." In the episode, the sex-addicted reoccurring character, Glen Quagmire, is arrested for having sex with a high school girl. After claiming that his mom is the reason that he grew up to be a sexual deviant, Quagmire is still sentenced to twenty years in prison. However, his mom then enters the episode and finds a way to get her son acquitted of his charges. While I am a huge fan of Family Guy, I personally thought this episode was mediocre. However, I apparently loved this episode compared to the Parent Television Council.


The Parent Television Council is probably more active in attacking Family Guy than any other major organization. Family Guy has made their yearly list of "worst prime-time shows for family viewing" three times and over forty episodes have been chosen for the Parent Television Council's "Worst TV Show of the Week." They have even gone as far as to launch campaigns for Fox network to cancel Family Guy.

 

I know that a lot of people hate Family Guy for multiple reasons including the cut-away gags, the lack of consistency, and of course the offensive humor. Most TV-watchers have a distaste for certain popular shows. I hate The Bachelor because I don't buy for a second that it's reality and I hate Downton Abbey because I find it slow, pretentious, and painfully boring. However, if those shows are popular, who am I to say they should be off the air? I just won't watch them. In fact, if I had the option to cancel those shows myself, I wouldn't do it because other people enjoy them and they aren't forced upon me. Likewise, no one is forcing the members of the Parent Television Council to watch Family Guy. I doubt they like anything about it. This means that they watch this show on their own choosing, not because there's anything about the show that attracts them, but just so they can complain about it later.


Humor is subjective and different people have different senses of humor. For example, I did not find the movie "Elf" the slightest bit funny despite its universal praise. But I'm not going to criticize other people for laughing at it or start a campaign against the movie because it didn't fit my sense of humor. The Parent Television Council can't seem to understand this. They think that if you find something funny that they don't, you're at fault and inferior to the sophistication of these elite intellectuals. In one of their recent articles complaining about the episode "Our Idiot Brian," Christopher Gildemiester stated "it was a typical episode of Family Guy - except for the lengthy middle portion of the episode mocking stupid people - which undoubtedly insulted many of Family Guy's biggest fans." These people constantly complain about Family Guy negatively generalizing certain types of people, yet they just outright called Family Guy fans "stupid people."


More than anything else, the Parent Television Council complains about Family Guy for indecency, such as mocking certain types of people or groups, violent or sexually explicit content, or offensive jokes about sensitive subjects. Now that would be like if I went to go watch "Dora the Explorer" and complain that it was too childish and silly. The members of the Parent Television Council are obviously not the target audience. Nor are people who tend to get offended by shock humor. This is the kind of show Family Guy is and always was. It's obviously not for everyone, but let the people who like the show watch it. The people of the Parent Television Council can watch whatever they want to watch.

Now, I would understand if they made this kind of complaint about a family friendly show. For example, in an episode of Spongebob called "Are You Happy Now?" there is a joke where Squidward is depressed and pulls up a noose saying "maybe this will help," implying that he will hang himself, only to pull up something else instead. This is clearly a suicide joke and of course it got a lot of backlash. See Spongebob is a kid's show and this kind of joke is out of place in a show that's expected to be a family friendly show. In this case, the show is at fault for the content the kids were exposed to. But Family Guy was always an adult cartoon. Sure it's gotten raunchier over the years, but it was not for kids to begin with. The Parent Television Council often complains about kids being exposed to Family Guy. I'm not a parent so I can't judge whether a parent lets his or her kids watch Family Guy or not. But Family Guy is clearly not a kid's show and whatever the kids are exposed to is on the parents. And I know the Parent Television Council complains about the time slot for Family Guy, how it airs too early when kids are still watching TV, but that isn't the show's fault either. That is the network's fault and that issue should be taken up with them, not the show itself.

They also like to complain about certain messages they claim the shows gives off. They claim that Family Guy belittles the severity of serious issues like rape, racism, and abuse. However, they need to remember that Family Guy is comedy. Not just that, but it's completely absurd with no attempt at realism or logic. I'm not going to learn that it's okay to treat one family member like garbage because they do it in Family Guy. They aren't actively telling us that abuse is okay (except maybe with one or two rare exceptions like "Seahorse Seashell Party"). I can laugh at racist or suicide jokes while still understanding the seriousness of the issues. I know some people can't and that's just a difference in senses of humor. I can even laugh at jokes mocking aspects about me. I have Asperger Syndrome and I was never even a little offended by Family Guy's numerous jokes about autism. If others get offended by this dark humor, then they can watch more politically correct shows. The Parent Television Council needs to understand that just because a show offends them doesn't mean it shouldn't exist.

However, the tipping point for me to write this was the article about the episode mentioned earlier, Quagmire's Mom. The Parent Television Council complained that the episode joked about statutory rape. Now this was just baffling to me. Family Guy is not new to making these kinds of jokes. They have made jokes far more offensive than this, like pretty much any episode with the character Herbert, an elderly man who constantly tries to gain sexual pleasure from young boys. Even the focus character of this episode, Quagmire, has done far worse. Many other episodes have implied that he has committed numerous forcible rapes and even kept women locked up in his house for his own sexual desires. In fact, one of my complaints about this episode is that when Quagmire finally gets significant consequences for his actions, it's for something that, to be honest, wasn't even really his fault. He had consensual sex with a girl who lied to him that she was an adult and Quagmire was surprised when she revealed that she was a minor after they already had sex. I would say that the real-life injustice that this episode jokes about is that people can go to jail for twenty years for having sex with someone they thought was legal. But since this episode involved anything that included the word "rape" the Parent Television Council is going nuts about it. This episode isn't even that insensitive about the issue compared to other episodes. In fact, it actually takes the issue fairly seriously for a Family Guy episode.

The Parent Television Council, to me, represents the worst of modern-day censorship. If people want to publicly rant about how much they hate Family Guy, that's their freedom of speech. However, the Parent Television Council are actively trying to take the show down because they don't like it. People should be able to enjoy the entertainment that they prefer, but no one can tell you what to like. You can hate Family Guy all you want, but the best way to deal with that is to just avoid it. Hopefully the Parent Television Council will understand that someday.

Article Source: http://EzineArticles.com/?expert=Matthew_Wu

2D AnimationSince the 1990s, 3D animation has enjoyed an explosion in popularity. Nowadays, major motion pictures around the world use its techniques to create lifelike images that allow the viewer to feel as if they are part of the animated world being depicted on the screen. Despite the advantages and popularity of 3D animation, however, traditional animation in the form of 2D animation and elsewhere is still playing a central role in the world of animation. Since its advent in the early 1900s, it has provided a slew of benefits to animated projects. Following are just a few of the many advantages that 2D animation provides.

 

Efficiency

One benefit of 2D animation is the efficiency with which it can be produced. Animation by its very nature is never a simple process. As an art form, it requires a great deal of skill and creativity to produce objects, characters, and worlds that appeal to the target audiences and that accurately convey stories and messages. In addition, the numerous techniques and styles that have developed throughout the past century provide an array of tools from which the animator can choose.


However, while 2D animation demands as much skill as does 3D animation, it is generally faster to create simply because it does not require a third dimension. 2D animation companies do not need to create lifelike images the way that 3D animators do. Their cityscapes, for instance, do not need to consist of buildings with details that make them look like real buildings. This faster design can be beneficial to those who need a project completed in a timely manner.


Simplicity


A second benefit of 2D animation is the fact that its designs tend to be less complex than those provided by 3D animation. How beneficial a simpler design is depends upon the project. For instance, action films usually benefit from 3D animation because of the detailed action and complex images they use to draw the viewer in.

 

However, when the design needs to highlight the message, the services of a 2D animation studio are usually preferable. For instance, a clean design is often more effective in advertising, because it more clearly conveys the advertiser's message to the viewer. Certain games, such as Candy Crush, also depend upon a simpler design to appeal to their audiences. Some television shows, such as South Park, have built their success on a 2D animated design. Even some educational applications or explainer videos require a design that will not distract the viewers from the message that the project is trying to convey.


Cost effectiveness

The efficiency and simplicity of 2D animation lead to greater cost effectiveness, another boon to people who want the benefits of animation but who cannot afford the sometime steep price tag that accompanies 3D animation. The fact that this type of animation takes less time and is less complex means that it can be accomplished with fewer resources, savings that often translate into a smaller price tag. In fact, many projects utilize 2D instead of 3D animation at least in part because it is more cost effective for tight budgets and small companies. Any provider of 2D animation should be able to work with your budget to create a project that meets not only your creative needs but also your financial constraints.

Artistic freedom

Each type of animation brings with it numerous creative possibilities. However, 3D animation must always appear lifelike and realistic, no matter what scene, objects, or people it is depicting. As a result, the fanciful and exaggerated generally do not translate well to the 3D screen, and styles such as anime are more difficult to create through the use of 3D tools.

2D animation, on the other hand, makes entirely new worlds possible. For instance, through traditional animation, the animator can create people, animated cartoons, and more that do not exist in real life. As a result, anyone needing an animated project can use 2D animation to more easily create images and worlds that would otherwise be very hard to film and/or create using 3D tools. This aspect of 2D animation also lends itself well to creating projects targeted to specific audiences. Not only can the animator use their imaginations to create characters and worlds that are not lifelike or realistic, but, by doing so, they can engage in character design and other practices that result in projects tailored to the sensibilities of specific audiences.

Because of the artistic freedom that 2D animation provides, this type of animation requires a high level of talent that makes the animator as skilled as anyone working on a 3D project. The animator must use their creativity and knowledge of the art form to develop characters and worlds that meet the needs of the project, instead of focusing simply on creating as lifelike images as possible. From concept design to character design to storyboards, they must utilize their expertise to create exactly the type of project being envisioned and the goals that are in place for the project.

Choosing 2D animation for your animated project does not mean that you are limiting your choices. Instead, its efficiency, simplicity, cost effectiveness, and the artistic freedom that allows the animator to bring your idea to life provide you with advantages that in many cases make it a better choice than 3D animation for successfully completing your animated project.

Powerhouse Animation is a traditional 2D animation studio based in Austin, Texas with offices in Burbank, California. Since 2001, Powerhouse has been making ideas come to life through animation, illustration, and motion graphics. With a staff of 35 in-house artists, animators, videographers and designers, Powerhouse works on a wide variety of projects and has created animation for companies including Disney, Sony, Marvel, DC, Old Spice, Miramax, the USO and more. To learn more about some of these projects visit
 http://entertainmentmedia24.blogspot.com/2015/07/benefits-of-2d-animation.html

Article Source: http://EzineArticles.com/?expert=Stephanie_Delota

Wednesday, July 1, 2015

Jeff Beck 'Truth'Jeff Beck's debut release showed how good and credible heavy metal could be, at a time when media hacks threw the label on any band that played their guitars louder than The Beatles did. Estranged from The Yardbirds, he found himself at odds with the members (one of which included Jimmy Page, initially hired as bassist, promoted to guitarist), his tardiness and quest for perfectionism at odds with the laborious touring schedule the British band had to meet. Now, duly departed from the band, Beck had the time and influence to record an album as he and producer Mickie Most best saw fit, as sessions for 'The Jeff Beck Band' began in June 1967.


Armed with a group of bandits, each of their contribution more than eye candy for the prickly guitarist, each found a niche for themselves on the record. Drummer Micky Waller gave depth to the record when it needed it most, Ronnie Wood's bass playing had a finesse he never equalled on his preferred instrument, guitar, and Rod Stewart, sidelined to backing vocalist on Beck's debut single 'Hi Ho Silver Lining' now given the reign to sing to his heart's content. Sufficently far from his 'Sailing'and 'D'ya Think I'm Sexy' days, the twenty-two year old proved a blues singer par excellence; sufficiently so, he was the singer the remaining members of 'Small Faces' approached following Steve Marriott's departure.


But it was Beck whose name featured on the record and it is his playing that gives the album its necessary weight. An acoustic guitar contribution from Jimmy Page notwithstanding, the remaining guitars are Beck's, his gorgeous succulent playing on 'Greensleeves' a nice counterpoint to the psychedelics on ' Shape Of Things', again a shade to the loud dynamics heard on album closer ' I Ain't Superstitious'.


'Beck's Bolero' gave Beck his best loved song, though it was recorded long before the other tracks were recorded (1966, in fact), as a result future Led Zeppelin John Paul Jones and incumbent The Who drummer Keith Moon played rhythm to Beck's and Jimmy Page's soaring guitar parts. A fine Spanish part played by Page, it is Beck's slide playing that pointed the way to heavy metal records of the seventies. A fine performance of sound and substance, it was Page, however, who received the song-writing royalties, a bone of contention which still niggles Beck decades later. Jones also played a delicate organ solo on Muddy Waters cover 'You Shook Me', amalgamating Stewart's earnest vocals, though it was a similar organ arrangement he used on Led Zeppelin's version less than a year later, one that understandably irked Beck even more.

While later albums showed Beck´s capacity to over-indulge, here his playing restrains itself to a handful of overdubs, most of it recorded on an eight track, as a way of emulating the sound of a live performance. Where the album was recorded during the ´Summer of Love´, Beck´s playing owed less to Hendrix than it did to blues record, his slide playing on ´Shapes of Things´ and album closer ´I Ain´t Superstitious´an indictment of this, while ´Ol´ Man River´ had an intricacy to it nowhere heard on any version before or since. Boston´s Tom Scholz, seventies guitarist extraordinaire, claimed the album as his all time favourite, and the album would herald the riff frenetism of the nineteen seventies.

Sadly, the band never equalled ´Truth´. Stewart and Wood played on the album´s follow up ´Beck-Ola´(further evidence of who called the band´s shots!) before leaving to form the more widely celebrated Faces. Beck himself found his second ´Jeff Beck Group´ a disappointment and called time on that unit after a mere two albums. Despite flashes of brilliance here and there, it was his 1985 collaborations with Rod Stewart that re-opened his taste for hair -raising playing.

Eoghan Lyng has written a number of articles about hard rock and heavy metal bands. If you have a query about his work, check out his WordPress ´EoghanLyng´.

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Fingerstyle Solo Guitar - Lenny Breau Was A True Innovator!Lenny Breau was born on August 5, 1941 in Auburn, Maine and was discovered by top country guitar player Chet Atkins in Winnipeg, Canada. Thought by numerous jazz guitarists to be the most ingenious guitar player to have appeared on the jazz scene in the 1960s, Breau lived for the majority of his life as a recluse. This was mostly due to his drug addiction and the associated physical and mental problems that went along with it. His recordings definitely prove that he was a dazzling, versatile, and very innovative jazz guitar stylist!

Lenny Breau started to play the guitar at the age of seven. By the time he was twelve he had the ability to play professionally with his parents who were country and western singers Hal "Lone Pine" Breau and Betty Cody. He initially ended up being interested in jazz guitar music at the age of seventeen. Lenny listened to the recordings of most of the leading guitar innovators of the 1950s including Barney Kessel, Tal Farlow, Joe Pass, Wes Montgomery, and Johnny Smith.


Nevertheless, the unique approach of guitar playing that Lenny eventually embraced was primarily influenced by the fingerstyle approach of country fingerstyle guitar legend Chet Atkins and the jazz piano approach of Bill Evans. When Chet Atkins heard Lenny Breau in Winnipeg, he instantly recognized the young performer's special talent and signed him to record an album for the RCA label. After the success of his very first recording for RCA, Breau spent a decent amount of time residing in Los Angeles. There he acquired prominence in jazz circles when he played at drummer Shelley Manne's jazz club, "The Manne Hole" and other jazz clubs.


In the late 1960s Breau returned to Toronto, moving to Winnipeg in 1973 till 1975. For numerous years he lived in Killaloe which was likewise in Canada, however rarely gave any public performances. With the persuasion of Chet Atkins and others, he did spend some time in Nashville teaching jazz guitar master classes and playing occasional club dates. From 1977 - 1981 Lenny made a number of new recordings which once again made evident his enormous amount of skill.

At this point in his career Lenny Breau was playing a 7 string guitar constructed to his own design. This instrument had an extra treble string, a high A, rather than the additional bass string, a low A, made famous by George Van Eps on his 7 string guitar. In November 1983 Lenny moved to Los Angeles where he taught private students and jazz guitar workshops. He likewise wrote a regular instructional column (edited by Jim Ferguson) for Guitar Player Magazine. He appeared every Monday night playing live with world-famous jazz guitar player Tal Farlow at the famous Donte's Jazz Club.

On August 12, 1984 he was found dead in what was initially believed to be a pool mishap. Later evidence points to the very real possibility that he was murdered. Lenny Breau, although little known to the typical jazz music enthusiast, is regarded by guitarists in addition to those jazz artists who worked with him as one of the most original and influential jazz guitar players of all time. He was also an unbelievably versatile guitarist as well playing country, flamenco, folk, concert classical, and Indian music with the same proficiency and level of excitement as he played jazz!

Peabody Conservatory trained guitarist Steven Herron is an expert on solo jazz guitar playing. He has spent most of his adult life playing professionally at clubs and restaurants as well as teaching private students at his studio. Sign up now for his Free "Guitar Chord Harmonizations Report" and find out more about Lenny Breau guitar solos.

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